XFest MA was started by Walter Wright in 2009 at 119 Gallery, Lowell MA. Initially a reaction against local festivals that failed to include local talent, the event developed out of a community of performers who knew each other by reputation, but had no opportunities to experiment with each other. It is now an annual 3-day festival organized by Dei Xhrist, with semi-annual partner events.

Participants using sound, movement, and video are randomly grouped in small ensembles for two nights of improvisational performances. Along with these public performances, the festival hosts public workshops, and a day dedicated to showcasing participants’ bands and artist curated projects. The event is held at the end of February/start of March when few other New England festivals are planned due to winter weather.

XFest MA has been hosted at 119 Gallery, UnchARTed Gallery, LTC, and UTEC in Lowell MA; Gateway City Arts and the City Hall in Holyoke MA; Block City Arts in Greenfield MA; Easthampton City Arts in Easthampton MA; Dorchester Art Project in Dorchester MA; and the Firehouse in Worcester MA. XFest International locations have included Edale UK and Mazotos Cyprus.

XFest can occur anywhere and be organized by anyone, following the basic premise of challenging performers by grouping them in unfamiliar configurations.

The event is organized and funded by volunteers, and is a not-for-profit.

More information: xfestma @ gmail.com


What is it about Boston and improvisation? Even though there’s a far-reaching DIY scene amid the classical, jazz, and formal musical schools, some days it can seem a bit lonely and sparse, and winter isn’t doing anyone any favors. It wasn’t until I started touring, and performing in classical jazz circles, that I learned that some musicians don’t have the warm affinity to improvisation that I do. Some find it too academic, too unstructured and intimidating, and really, how do you “break in to it”? I had the good luck to be mentored and encouraged by the many people I’ve met, and I’m happy to be part of this annual fest that is devoted to challenge improvisation, with a particularly Bostonian feel; get yr gear & get in to it.  

Participants are placed in randomized groupings where they quickly need to assess others’ tonal qualities, and adapt their own output to create a cohesive sonic experience. Wherever it’s going to go – achromatic, tonal, ambient, minimal, psych – the performers have to listen to each other as they play, louder/softer, faster/slower, more space/in unison. Dancers and videographers round out the mix, responding and layering their work on top of the musicians. The collaborations at XFest have run from cathartic to corny, ethereal to exuberant. Things have been beautiful, things have been challenging, sometimes someone is drowned out, or struggles to contribute. It’s improvisation: failure is an acceptable outcome. It helps you become a better musician – and daresay a better audience – when you understand it’s ok to take risks, to experiment… to play.

One thought on “About

  1. One could say all outcomes are acceptable, and non are failures. Experiencing the event is the win, regardless of ones preconceived notions of what it ‘should be’.


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